“No Me Queda Más” is a song by American singer Selena on her fourth studio album, Amor Prohibido. It was released as the third single from the album in October 1994 by EMI Latin. The song is a downtempo mariachi and pop ballad, incorporating ranchera and flamenco influences into its sound. It topped the United States Billboard Hot Latin Songs chart for seven non-consecutive weeks.
About No Me Queda Más in brief
“No Me Queda Más” is a song by American singer Selena on her fourth studio album, Amor Prohibido. It was released as the third single from the album in October 1994 by EMI Latin. The song is a downtempo mariachi and pop ballad, incorporating ranchera and flamenco influences into its sound. It topped the United States Billboard Hot Latin Songs chart for seven non-consecutive weeks, her third successive number-one song. Many musicians have since recorded cover versions, including Mexican singer Pepe Aguilar, American salsa singer Tito Nieves, and Mexican pop group Palomo. It has been ranked the ninth-best Tejano recording by Billboard magazine and the eleventh-best Hot Latin songs chart single in 2011. The original version mainly used acoustic guitars and a synthesized string track; while the remix features a drum kit, bass guitar and multitracked acoustic and electric guitars combined with a lush orchestral arrangement. Its lyrics explore the unrequited love for another lover when the singer’s lover leaves her. The music video for the song received the Music Video of the Year award at the Billboard Latin Music Awards, and the recording received two Broadcast Music honors including Song of the year. In a 2002 interview, A. B. Quintanilla said that during a recording session he had asked Selena to record the song for a fifth time.
The singer replied, \”What you got there is what you got\” and left to go shopping. He mused, \”Now looking back, she really did a beautiful job when recording the song, she had so much passion. The song became a classic. \”No MeQuedaMás\” has a traditional trumpet duet and a strummed string arrangement, with the female singer agonizing over the end of a relationship, with a violins and violins. The version by Palomo peaked at number six on the Regional Mexican Airplay chart, while Nieves’ version reached number seven on the US Tropical Songs chart. In 1985, Ricky Vela joined Selena y Los Dinos as their keyboardist. He was attracted to the group’s drummer, Suzette Quintanillas, but kept his feelings to himself. After Suzette’s September 1993 marriage, Vela wrote the song. The group gave it to Argentine arranger Bebu Silvetti to rework into a pop-style track to boost its airplay and chart performance. The result enhanced Selena’s pop-radio success and was included in late 1994 reissues of Amorprohibido, subsequently replacing the original album version. Behar said in a Billboard interview that the song was “internalized” without affecting the originality of its recording. The Palomo version has a live orchestration.
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