Intimacy (Bloc Party album)
Intimacy is the third studio album by English indie rock band Bloc Party. It was recorded in two weeks at several locations in London and Kent during 2008 and was produced by Jacknife Lee and Paul Epworth. The band made the album available for purchase on their website as a digital download on 21 August 2008. The record was released in compact disc form on 24 October 2008, with Wichita Recordings as the primary label. It peaked at number 8 on the UK Albums Chart.
About Intimacy (Bloc Party album) in brief
Intimacy is the third studio album by English indie rock band Bloc Party. It was recorded in two weeks at several locations in London and Kent during 2008 and was produced by Jacknife Lee and Paul Epworth. The band members made the album available for purchase on their website as a digital download on 21 August 2008. The record was released in compact disc form on 24 October 2008, with Wichita Recordings as the primary label. It peaked at number 8 on the UK Albums Chart and entered the Billboard 200 in the United States at number 18. Three songs were released as singles: \”Mercury\”, \”Talons\”, and \”One Month Off\” The first two tracks entered the UK Top 40. Intimacy was generally well received by critics. Reviewers often focused on its rush-release and central theme, and considered them either bold steps or poor choices. As the record’s title suggests, its tracks are about personal relationships and are loosely based on one of frontman Kele Okereke’s break-ups in 2007. A brass section and a chamber choir were used as extra musicians on the record. Drum machines and distorted guitars were used more extensively than in the band’s previous works to create a sense of manipulation to the basic rock palette. The frontman drew inspiration from Siouxsie and the Banshees’ 1988 song \”Peek-a-Boo\” and aimed to create \”rock interpretations of dance\”.
The band worked by initially performing soundchecks with only guitar chords, keyboard notes, and drum beats. The first ten tracks were crafted after judging first ideas to often be the best. They \”thrived\” under the pressure of timed sessions, which lasted only two weeks. Each producer worked on five of therecord’s original ten tracks. According to O kereke, Bloc party wanted to make something as stylised as R&B or electronica, combining the rawness of Silent Alarm and the recording experience gained from A Weekend in the City. After the U.S. tour of North America and Europe, the band embarked on a European tour of European festivals and recorded some of the tracks in their entirety. On some songs, the guitars were disregarded and the band focused solely on the beat of the beat. The lead guitarist Russell Lissack has stated that there was no worry about whether a song could be recreated live in the same way on record as it would appear on record. Matt Tongmer was initially sceptical of the idea of programmed drums, but agreed to the idea when the band recorded some tracks in its entirety. The group wanted to use an instrument being looped, vocoded, or run through effects pedals as opposed to using his physical output, but he was initially opposed to this idea.
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