The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate
The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate is an oil painting on canvas by English artist William Etty. It depicts a classical temple under attack from a destroying angel and a group of daemons. The painting is thought to have been inspired by the works of John Milton and Alexander Pope, by Michelangelo’s The Last Judgment and possibly by the French Revolution.
About The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate in brief
The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate is an oil painting on canvas by English artist William Etty, first exhibited in 1832. It depicts a classical temple under attack from a destroying angel and a group of daemons. Etty was the first British artist to specialise in the nude, and the reaction of the lower classes to these paintings caused concern throughout the 19th century. The painting is thought to have been inspired by the works of John Milton and Alexander Pope, by Michelangelo’s The Last Judgment and possibly by the French Revolution of 1830. Henry Payne, who had commissioned the painting, sold it in 1854 to Sir Joseph Whitworth. Whitworth donated it in1882 to the Manchester Art Gallery, where it remains. It measures 127. 8 cm by 101. 9 cm and depicts a temple and its occupants under attack. Some of the humans appear dead or unconscious, others flee or struggle against the daemon. The angel is wreathed in smoke in the centre of the image, poised to hurl a thunderbolt around an ornate ornate temple. Below the angel is an image of the temple, with the occupants of it in the process of abducting its occupants. The image is also known as The Dest destroying Angel andDaemons Inflicting Divine Vengeance on the Wicked andIntemperate and as The Destruction of the Temple of Vice.
It was commissioned by Henry Payne of Leicester in 1822, on a promise of 60 guineas ) when complete. As Etty had become a more prominent painter in the meantime, Payne paid him £130 ) for the piece. It is thought that Etty felt close, during a visit to Paris to study in the Louvre, to put his soul into the piece he felt he had put into the visionary work. When first exhibited, The DestroyingAngel was widely praised for its technical brilliance, but critics were divided on the subject matter. Some praised its vivid blend of fear and beauty; others criticised its theme as inappropriate, and chastised Etty for wasting his talent. The piece is now in the collection of the National Gallery of Art, London, and is on display at the National Museum of Modern Art in New York, until the end of the 20th century, when it will be moved to a new home in the Metropolitan Museum of Art. It has been described as a work of art of the highest order, and one of the greatest works of art in the history of the art world. The art dealer who commissioned the piece, Henry Payne had granted Etty complete freedom in the creation of the work, but he had done little with the notion until, stung by The Morning Chronicle’s criticism.
You want to know more about The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate?
This page is based on the article The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate published in Wikipedia (as of Oct. 31, 2020) and was automatically summarized using artificial intelligence.