A Very Merry Unauthorized Children’s Scientology Pageant

About A Very Merry Unauthorized Children’s Scientology Pageant in brief

A Very Merry Unauthorized Children’s Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia and Washington, D. C. The producers wanted the musical to appear like a “corny and low-rent production” The New York Times characterized it as a \”cult-hit\”, and The Village Voice, the Los Angeles Times and The Guardian all gave it favorable reviews. A 2004 cast recording released by Sh-K-Boom Records received four out of five stars from Allmusic and plaudits from The Los Angeles Daily News. The version of the script that was published by Samuel French, Inc. says that the musical should not be performed by adults; adults are too jaded and would not be able to portray the satire of the piece. The children are playing non-professional Scientologists, performing in a holiday pageant. The ensemble includes 10 actors from ages eight to twelve, performing with a lack of polish as they are playing the roles of Scientologists and thetans. The production has been well received. The 2003 New York production received an Obie Award, and director Alex Timbers received a Garland Award for the 2004 Los Angeles production.

It has been called a “deadpan presentation” of Hubbard’s life story, though the musical pokes fun at Hubbard’s science fiction writing and personal beliefs. It also drew on the awkward woodenness of Christmas pageants — the fact that children are often made to say large words that don’t sound natural coming out of their mouths. The script for the play is published bySamuel French,. Inc. Jarrow was motivated to write the script by what he saw as a shift in religious teachings – from an old model involving hell and retribution, to a new system of thought promising money or peace. He said Scientology would be an especially interesting topic for a theater piece because of its criticism of psychiatry, relative newness compared to Buddhism, Islam, Judaism, and Christianity, and practice of requiring courses which cost significant amounts of money. Jarrow’s script was almost entirely based on Hubbard’s own writings and the church’s literature, though he was also influenced by critical journalistic accounts. He wanted to have an honest conversation with people who just want to parrot behavior and just have a conversation with them. He also wanted to let the Church speak for itself. During production, the creative team worked with cast members to educate them about the play’s background. It was written by Kyle Jarrow and Alex Timbers, and Timbers and Jarrow wrote the accompanying book, music, and lyrics. It is based on a concept by Timbers, the show’s original director.