“Hey Baby” is a song by the American ska band No Doubt from their fifth studio album Rock Steady. Written by band members Gwen Stefani, Tony Kanal and Tom Dumont, it was released as the album’s lead single in October 29, 2001 by Interscope Records. The song was commercially successful, peaking at number five on the US Billboard Hot 100. It won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal at the 45th Grammy Awards.
About Hey Baby (No Doubt song) in brief
“Hey Baby” is a song by the American ska band No Doubt from their fifth studio album Rock Steady. Written by band members Gwen Stefani, Tony Kanal and Tom Dumont, it was released as the album’s lead single in October 29, 2001 by Interscope Records. The song was commercially successful, peaking at number five on the US Billboard Hot 100. It also reached the top-ten in several other countries, including Australia, Germany, New Zealand and the United Kingdom. It won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal at the 45th Grammy Awards. It received generally positive reviews from music critics, although its dancehall influences had a mixed reception. The band needed four keyboard rigs to recreate the track’s sound for live performances, including a Roland AX-1 and an E-mu Proteus 2000. It is written in common time and moves at a moderate tempo of 90 beats per minute. The lyrics depict the band’s post-show parties from touring in support of their fourth studio album Return of Saturn. The song details female groupies who attended the parties to hook up with the male band members.
It touches on the overall theme of Stefani’s impatience in her long-distance relationship with then-boyfriend Gavin Rossdale, as she sits \”sipping on chamomilewatching boys and girls and their sex appeal\”. The song is a dancehall song composed in the key of E minor. It focuses on programming and lacks prominent live instrumentation. It was one of the first songs written forRock Steady, and was recorded at a session at Dumont’s home studio in Los Angeles weeks later. The track’s vocal range spans over two octaves in the song, from D3 to E5. A toast from Bounty Killer toasts the bridge, and after a brief section sung by Stefani,. the song closes by repeating the chorus twice. The song opens with an introduction consisting of a sustained measure of electronic effects followed by two lines from the chorus. In each two-measure line during the first half of the verses, Stefani descends the scale while the keyboard plays the off-beats of the second measure.
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